Tiny House Blog

I first saw an EcoNest about 9 years ago and had forgotten about them until now. Even after studying many different types of natural building, Econests will continue to be one of my favorites because of their beautiful resemblance to the curves and colors of nature. They might even be the closest way to be outdoors without stepping out the door.

EcoNests are simple, elegant, and healthful handcrafted dwellings that welcome owner participation in their construction. Continue Reading »

Because of the lack of space in a tiny house, a separate bathhouse can be built nearby to hold a bathing area, hot tub or sauna.

This is not only for necessity, but as a tranquil space for relaxation. On my search for tiny bathhouses I kept running into these examples built from natural materials that I thought looked so beautiful in their environments.

One of my favorites was this cob bathhouse and its accompanying yurt created by Oasis Design.

Oasis Design is a family owned, home-based design consulting and publishing business near Santa Barbara. They’ve been developing original designs for living better, cheaper, and more ecologically since 1980. Their focus is mostly on water, wastewater and energy systems.

This bathhouse at the Chinati Hot Springs in Marfa, Texas is made of adobe and dates back to the 1930s.

And this bathhouse has a living roof and is located at the Center for Whole Communities in Fayston, Vermont.

A natural bathhouse can be a celebration of tranquility and privacy, but also can make us more aware of where our water is coming from or where it should be going.

By Christina Nellemann

Copyright © 2009 Tiny House Blog

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In the stark Texas desert, Patricia Kerns has created a small community of tiny adobe, cob and straw bale houses that snuggle right into the landscape. I first saw Patricia’s tiny houses in the book, Little House on a Small Planet. The dome of the Egyptian style guest house caught my attention because of its interesting shape.

Patricia’s little community in Terlingua, Texas contains six tiny houses: the main straw bale house, a shower house, a bathroom, the guesthouse, a cob studio and a new project which will house a kitchen and a great room.

The cob studio was built with Ianto Evans of the Cob Cottage company. The main straw bale house is a 20-foot circular structure. Her power comes from several solar panels and a small wind turbine. She uses rain catchment systems for all her water needs.

She also has a video tour of her property and its tiny houses on her website.

Her love of natural building and small spaces came along at a time when she wanted to simplify her life and become financial independent. She took a straw bale building workshop, and she realized that with her new skills, she could leave her career as an attorney and build her own house.

A few years later she is living the life of her dreams in the desert. She was kind enough to send me her story of building a life of simplicity:

Journey to a Small Place
By Patricia Kerns

My journey to a small place began with a simple desire for financial independence. Several years ago, having taken an early retirement from my employer, I needed to find a way to live on less than half my previous income. I had to reduce fixed expenses, especially mortgage/rent. The crazy idea that I could find some cheap land and build a house with my own two hands began to work its way into my head.

How crazy? I was a 40-something attorney whose only experience with a hammer was to hang diplomas. Being a woman, I didn’t even have a high school shop class to draw on for experience. I ran through these and other pertinent facts every day, trying to get the goofy idea that I could build my own home out of my head. When the chance to attend a workshop on straw bale building came along, I jumped at it, thinking I could finally prove to myself that I couldn’t do it. But that workshop, and several succeeding ones, made it clear to me that my dream could be realized.

I began planning my home’s design as I sought land and prepared to move to a small desert community in the Big Bend area of southwestern Texas, far from any big cities. As I developed the design, I realized that the house would have to be very small if I wanted to complete it myself. I originally considered this to be a limitation, one I was willing to accept. I imagined that my standard of living in terms of creature comforts would decline, but accepted this as a small price to pay to free myself from the burden of a mortgage. I got some excellent advice at one of the workshops I attended: record the amount of time I spent in every area of my home for a week. I was living in an 1100-sf home when I conducted this experiment. I was amazed to find that there were two rooms in my home where I rarely set foot. I realized with a shock that the primary purpose of those two rooms was to store furniture that I had only purchased so those two rooms wouldn’t be empty. This was a happy realization, since all I had to do to cut my space needs in half was to sell furniture!

I sold every piece of furniture I owned, had multiple garage sales and made a few deposits to thrift shops. After two months of shedding stuff accumulated over twenty years, I packed what was left into a 10 x 6 U-Haul trailer, hitched it to the back of my truck, and headed for Texas. I had never felt so free in my life. It was the first sign that living in a small space wasn’t going to be the dip in standard of living that I had imagined.

I spent the first three months in Texas camping out of my Suburban in the National Park while looking for land. This was a good start to my new commitment to minimalism. In January 1998, I moved onto a piece of unspoiled desert land halfway between the communities of Lajitas and Terlingua, Texas. I erected a 16 x 16 foot army tent, built a composting toilet and solar oven, set up a solar shower and camp stove, hooked up some solar panels for power, and I was living in the lap of luxury.

It took about two months to get my foundation built and the straw bale walls up, just in time to have a place to get out of the severe winds that whipped across my land in February and March. I had no roof, no windows or doors, and no floor, but I had a comfortable place to sit and read or play my guitar while the winds howled by “outside.” I could never before have appreciated such a humble shelter. It seemed like heaven to me.

I spent six months finishing the exterior, roof, door and windows, then moved into the house while I finished the interior. I had designed a space that included a bedroom, a small computer nook, and a larger sitting room. The design was a circular space trisected into three areas. Between the three areas, instead of building walls, I built shelves that pass through so they can be utilized from either side. This gave me a great deal of storage in a small space. The bed is a futon on a plywood board that flips up to reveal storage. I also designed a built-in sofa in the sitting area with storage underneath. I learned a lot about effective use of small spaces for storage by visiting numerous trailer sales lots and observing their use and design of space. All of my interior furniture is built in, using cob (unformed adobe) and scrap wood.

I decided not to have the kitchen and bathroom in the main house, but rather to leave them for a second project. I haven’t regretted this decision, and continue to be happy cooking on a camp stove or in a solar oven, and using a camp shower and composting toilet. The climate here is quite mild, so this might not be feasible in a more northern location. I learned to live with so little during my journey here that every addition now seems like an unaccountable luxury.

The most beneficial consequence of my decision to build small became apparent as I networked with other self-builders. I was able to complete my home in the same amount of time that many people used to build larger structures, but using much less labor. This allowed me to like the home and continue to like it as I worked. I never felt overwhelmed by the process. My little casita and I have remained fast friends, and I have nothing but good memories and good energy invested in my home.

As it turns out, there was no lowering of my standard of living – not in creature comforts, not in any other way. I have learned to be greatly appreciative of every little comfort, and I enjoy what I have now far more than the four times as much that I used to have. My home and possessions serve me and shelter me, and are never a burden that require more than I am willing to give (such as a 30 year mortgage). I am well on my way to becoming sustainable on this land and a small home is part of what allowed me to see my way there. Now, when I am inside large enclosed spaces, I feel lost, disassociated and adrift. I wouldn’t trade my casita or my experience of creating it for a mansion any day.

Note: I wrote the above article five years ago. Since then, I have completed a small bathhouse of adobe and a small office building of cob. In addition, I have a large shade building (one day to be a kitchen/living room – if I ever think I really need it…) by which I catch enough water for my needs. I remain mortgage-free, and have no utility bills. Visitors stop by occasionally and say “gee, isn’t it HARD living like this?” I’m not sure what they mean, but I guess it’s that I have a composting toilet, cook outside and have no television. I think back to when I had all those “luxuries” in my life, and what it was costing me to sustain them. No, it isn’t hard!

By Christina Nellemann

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In the middle of winter, I start dreaming about tropical locales. For people who are lucky enough to be able to let the outdoors into their homes almost all year long, the “Wee Hus” from Gado Gado International in Santa Rosa, Calif. might be the perfect tiny house for you.

These tiny teak homes with their exquisite details are designed from the original style found in Indonesia and are built in Java. Both the original traditional tiny houses and the newer ones are made from reclaimed teak using traditional mortise and tenon joinery.

Gado Gado uses nails and bolts sparingly where needed for structural strength and safety.The tiny houses are named after Gado Gado owner, David Sussman’s Irish Aunt Patsy.

Indonesia is in earthquake country, and there are more >6.0 earthquakes in Java than in California. These little houses have stood up to large temblors precisely because of how they were constructed: the complex joinery system with through-going tenons through tenons in two directions gives the structure sufficient strength but allows enough flexibility to sway during earthquake movements without falling over.

The ceilings of some of the tiny houses range from simple teak lap-jointed planks to highly carved original “joglo” pieces. Gado Gado cuts the roof shingles by hand out of reclaimed teak boards.

Tumpang Sari Carved Ceiling

Joglo Painted Ceiling

The tiny houses range from 8×8 ft. up to 16×16 ft., and are priced at $10,000 up to about $30,000 based on size, complexity, and the amount of original or new carving requested by the customer. They are built for longevity, and can stand up to rain, snow and direct sun. Teak is more resistant to rot and bugs than any hardwood or softwood grown in the U.S. due to its high resin content and the presence of 1%-2% silica (basically like beach sand) taken up by the teak tree from the soil. These houses are not yet built to U.S. standards for year-round living, although such modifications are not difficult during installation. The original Indonesian teak homes were not built with wiring or plumbing, but this can be added later by the customer.

Gado Gado offers a CD-ROM that shows the step-by-step construction of a 16×12 ft Wee Hus. You can order the CD-ROM from the website.

The teak homes ship to the customer as “knock down” with each mortise and tenon marked to show where they will be put together. Scaled drawings of the pier foundation are also included. Gado Gado recommends that customers invite all their friends that are handy with tools and make a day of it (a 12×16 ft. tiny house takes about 1.5 days to set up with 8 people). However, it is worth the money to get the owner, David Sussman and one of his staff, out to the site to guide the installation.

By Christina Nellemann

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Some days, don’t you feel the world crumbling around you? Financial crises, world hunger, war, poverty. It seems unending. Some people may feel that one way to escape is to have a small, comfortable place to come home to. A home that is like a hug, warm and alive.

Some people have found that feeling in a cob house. A hand sculpted structure that curves and comforts like the earth it is made from. The House Alive! company is offering workshops for 2009 on how to create your own small structure.

House Alive!, which was started in 2001 by Coenraad Rogmans, James Thomson and numerous volunteers, teaches workshops about natural building, natural design and appropriate technology. They also offer consulting services, do presentations and seminars and work to promote natural building as a real alternative to conventional construction methods.

Cob is a building material that is made of a mixture of sand, straw and clay. The materials are mixed wet, by foot or with a tractor or mortar mixer. The word “Cob” comes from an old English word meaning “Lump” or “Loaf.”

The wet cob mixture is used to build thick earth walls; the building technique is very similar to sculpting with modeling clay. Because cob building requires no forms, you can build your walls into any shape you choose. Curves, niches, arched windows and built-in furniture are common features in cob buildings.

Because cob can be labor intensive, it is best if a cob structure be kept on the small side.

House Alive! will be offering a workshop in May of 2009 on how to build a complete shelter. Participants of the workshop will leave confident that they can design and build their own natural home. The building techniques will include:

• Making cob by foot
• Rubble trench foundations
• Stem walls out of recycled concrete, earth bags, and stone
• Natural sub-floors for earthen floors
• The materials sand, straw, and clay: How they work, what to look for, where to find them
• Wall building: tapering, keeping it plumb, trimming, shaping
• Electricity: How to put in wires, how to build a circuit
• Plumbing: Water and gray water systems
• Windows, doors and hanging cabinets and other things on cob walls
• Hybrid buildings: The interfaces of cob with other materials
• Earthen floors
• Earthen finish plasters

Lectures and demonstrations will include

• The economy of building
• Passive solar design
• Natural design
• Composting toilets
• Solar hot water
• Solar electricity
• Codes, hybrid buildings and natural renovations
• Straw bale construction
• Light straw clay, adobe brick and waddle and daub.
• Roofs and roof insulation
• Simple living and community

One thing that cob building lends itself to is cohousing. Cohousing communities attempt to be as self-sufficient as possible, by building their own homes from sustainable materials like cob and straw bales and by growing their own food. The Emerald Earth Sanctuary in Mendocino County, Calif. makes decisions by consensus, and they value direct, open communication and conflict resolution. They also offer work parties, natural building workshops, and a work trade program.

If you are interested in learning more about cohousing, the 2009 cohousing conference will be in Seattle, June 24-28, 2009.

By Christina Nellemann

Emerald Earth Sanctuary

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There is something feminine about straw bale homes. The warmth, curves and color of these natural spaces act like a hug when you walk in the door. While these profiled straw bale homes are small rather than tiny (most are around 400-800 square feet) they were envisioned, designed and built by women that I feel epitomize the beauty of the straw bale house.

Most followers of strawbale building and other natural building techniques know of the Canelo Project and Athena Swentzell Steen.

She and her husband Bill run this small non-profit organization that is dedicated to the exploration and development of living systems, including growing food and building homes that creates friendship, beauty and simplicity.

Straw bale cottage at the Canelo Project

Interior of straw bale cottage at the Canelo Project

Their latest book is Small Strawbale, which covers everything from building walls and open shelters to small and exquisite homes built out of straw bales.

Carolyn Roberts also wrote a book detailing the trials and triumphs of building her own straw bale home outside of Tucson, Ariz. A House of Straw: A Natural Building Odyssey profiles the challenges of passing her county inspections, the issues of building a house as a single woman while trying to raise two children, and the wonders of creating her own space and the friends she made along the way. Her website breaks down the cost of each part of the building process, and her total for the home (land not included) came to approximately $50,000. Because of the thick walls and use of passive solar, her electric bills average about $35 a month.

Interior of Carolyn Robert's straw bale house

Caroline Coalter Wilson built her house, Paca de Paja, to also serve as a small bed and breakfast. She works at the Arizona-Sonora Desert Museum and runs the B&B part time. She was previously a park ranger and naturalist with the National Park Service and has written several publications on natural history.

Paca de Paja

I really admire these women who have tackled the building process from the ground up and utilize the beauty of natural products in their homes. More information for my fellow female dreamers and builders can be found in the book
The House That Jill Built.

By Christina Nellemann

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